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35 search results for: C. Molly Smith

11

Prolonged series should focus on creativity, not profit

Twenty-three films, six faces and countless martinis (shaken not stirred) to its name: James Bond stands, without a doubt, the most iconic film legacy of our time. The series has crossed generations, spanning a whopping 50 years. But it wasn’t always the cultural staple that it is today. A good film series needs time to […]

12

Cloud Atlas presents race as a non-issue

I should be writing about horror movies today, but there’s something more pressing going on in the film world than ghouls and ghosts and paranormal activity. The role of race and identity in Cloud Atlas takes precedence. Stay with me — I know this sounds like a communication/film term paper, but race has long been a […]

13

Enjoyable films don’t need to be highbrow

Last year I reviewed Breaking Dawn — Part 1 for the Daily Trojan, and I took a lot of flak for it. Twi-hards can be pretty vicious when they’re hiding behind an anonymous comment system. I won’t deny that my words were harsh, but I have — embarrassingly enough — read all the books and […]

14

Found footage style could use freshening

One of my really good friends insists that I go see Paranormal Activity 4 with him. We’ve seen the first three together, so he’s calling it a tradition. I hate our tradition. I’m horrible in horror films: I get really jumpy, I scream and I yell. I’m that girl who can’t keep her sh-t together. […]

15

Films fail to make significant political impact

Hot off of last week’s presidential debate, everyone has the November election on their minds. The Huffington Post cited the debate as the most tweeted event in U.S. political history, clearly showing that it’s easy to get a message — even one about Big Bird — across to viewers. Unfortunately, recent political films haven’t quite […]

16

Action films should be judged by genre norms

More often than not, filmgoers think of action films as popcorn flicks: mindless entertainment. And there’s good reason for that: Consider The Fast and the Furious franchise, the Transformers trilogy and a handful of comic-book movies in between. Action films in general clearly entertain and tend to perform well at the box office, but often […]

17

Studios should produce quality, innovative animated films

The Little Mermaid, Aladdin, The Lion King, Toy Story: These are the animated films that have captured our hearts, wowed critics and defined our generation. These films catalyzed the new age of animation, kick-starting a rich and fresh visual style and incorporating new and interesting conceits — animated animation, if you will. Today, however, these […]

18

Film and TV should be treated separately

With the 64th annual primetime Emmys hitting the small screen this Sunday, it seems as though all anyone can talk about these days is television: Will three-time winner Bryan Cranston claim a fourth Emmy for his flawless performance as Walter White in Vince Gilligan’s Breaking Bad? Will freshman series Homeland take down the reigning champion, […]

19

Films should fuel deep religious discussions

Some of the best films address tricky societal themes, reflecting real life issues. Writer-director Paul Thomas Anderson’s hotly anticipated The Master, which hits theaters in limited release Sept. 14, is no exception. The film tackles the issue of religion and documents Lancaster “The Master” Dodd’s (Philip Seymour Hoffman) pursuit to spread his ever-growing faith-based organization […]

20

Auteurship gives dull cinema style, flair

With a slew of remakes and sequels dominating theaters, modern cinema is seemingly devoid of originality. Many films could escape this fate, but they lack the creative drive necessary for a unique voice — they lack auteurship. The auteur theory suggests that a film’s originality, in large part, stems from the director, the driving creative […]