REVIEW: ‘Perry Mason’ fails to stand out
The premiere establishes a grim yet intriguing mystery for the classic detective to solve, but ultimately the series lacks a fresh perspective to set it apart from other shows in the crime genre.
REVIEW: UMI delivers bedroom R&B perfection with fourth project
A salute to the intricate wonder, defeatism and complexity of self-contemplation, UMI’s “Introspection” crafts a beautifully cohesive collection of inner thoughts.
‘I May Destroy You’ incites curiosity and demands attention
The premiere episode of “I May Destroy You” is the start of a poignant portrayal of the experience of a 24-year-old female writer living in London.
Netflix’s ‘White Lines’ is deliciously empty
The show’s plot falls victim to its ornate presentation.
REVIEW: Despite the success of his latest album, Lil Uzi’s latest single flops
As exciting as it is when Lil Uzi Vert drops new music, his new single “Sasuke” falls short of expectations — if you even had enough time to conjure up any with the surprise release.
REVIEW: The 1975 delivers another promising single on love in the digital age
The 1975 is back, with its seventh single from the highly anticipated upcoming album, “Notes On A Conditional Form.”
REVIEW: Puff, puff … miss
New Netflix show “Cooked with Cannabis” lacks meaningful commentary about cannabis consumption.
REVIEW: Kenya Barris’ Netflix debut is a shallow, stale expression of love
Netflix’s new family mockumentary “#blackAF” follows a fictionalized version of “Black-ish” creator Kenya Barris and his family’s experience as they navigate their Black identity in a society that is often against them.
REVIEW: ‘Betonrausch’ aims high, but doesn’t rise to the standard
The storyline for Netflix’s new German drama is repetitive and lifeless.
REVIEW: ‘Mrs. America’ unapologetically captures the political landscape of the ’70s fight for women’s equality
The new Hulu series looks at the politics and culture wars that pervaded the 1970s.