Netflix’s ‘White Lines’ is deliciously empty
The show’s plot falls victim to its ornate presentation.
REVIEW: Despite the success of his latest album, Lil Uzi’s latest single flops
As exciting as it is when Lil Uzi Vert drops new music, his new single “Sasuke” falls short of expectations — if you even had enough time to conjure up any with the surprise release.
REVIEW: The 1975 delivers another promising single on love in the digital age
The 1975 is back, with its seventh single from the highly anticipated upcoming album, “Notes On A Conditional Form.”
REVIEW: Puff, puff … miss
New Netflix show “Cooked with Cannabis” lacks meaningful commentary about cannabis consumption.
REVIEW: Kenya Barris’ Netflix debut is a shallow, stale expression of love
Netflix’s new family mockumentary “#blackAF” follows a fictionalized version of “Black-ish” creator Kenya Barris and his family’s experience as they navigate their Black identity in a society that is often against them.
REVIEW: ‘Betonrausch’ aims high, but doesn’t rise to the standard
The storyline for Netflix’s new German drama is repetitive and lifeless.
REVIEW: ‘Mrs. America’ unapologetically captures the political landscape of the ’70s fight for women’s equality
The new Hulu series looks at the politics and culture wars that pervaded the 1970s.
REVIEW: ‘Tigertail’ is a touching portrayal of the immigrant experience
Although the film is simple in its execution, Yang beautifully contrasts this visual style when the film shifts to the present to convey how separated Pin-Jui is from his family and friends.
REVIEW: Livestreamed play reading of ‘This is Our Youth’ is lackluster despite a promising cast and philanthropic purpose
On Friday, producer and director Brando Crawford brought live theater online with a reading of “This is Our Youth.”
REVIEW: ‘Coachella: 20 Years in the Desert’ is an experience full of nostalgia
YouTube and Goldenvoice’s Coachella documentary successfully recreates the converted festival experience.