Visit sunny Los Angeles through film

Here are five films that accurately portray the idiosyncrasies of L.A.’s vibrant communities.

By JEFFERSON HERNANDEZ SEGOVIA
Los Angeles is not only home to the movie industry, it’s also the setting and subject of several films. (Caleb George / Freerange)

Echo Park, West Hollywood and Santa Monica are part of an interconnected network that encompasses Los Angeles. Since the beginning of filmmaking and the eventual founding of Hollywood as its home, L.A. has been portrayed numerous times across countless films, but only a few have accurately captured its essence.

The beautiful and bright L.A. always finds its way to our screens. Whether it’s catching a rerelease or watching on your TV, computer or even your phone, these are some of the films that illustrate L.A.’s true sense of self.


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“Tangerine” (2015)

Everyone knows Sean Baker for his five-time Academy Award-winning film “Anora” (2024), but the film that started his raunchy yet in-depth depiction of sex work is “Tangerine.” Shot on an iPhone, the indie film took the Sundance Film Festival by storm, premiering in its “Official Selection” category. Highlighting L.A.’s diverse population, “Tangerine” is the perfect depiction of Angelinos who have to use L.A.’s public transport to catch their cheating boyfriends.

Over the course of one day, protagonists Sin-Dee (Kitana Kiki Rodriguez) and Alexandria (Mya Taylor), two transgender sex workers, run into mishaps across L.A. as they search for validation and approval from the community they live in.

Sin-Dee, crazed and obsessed with her pimp, drags her boyfriend’s mistress by her hair and goes totally crazy; the only wish Alexandria has is to perform. This chaotic dynamic drives both of them to make some outlandish decisions on the streets of Hollywood.

“Training Day” (2001)

Representing the realities of life in South Central, “Training Day” follows a corrupt cop (Denzel Washington) teaching a first-day rookie (Ethan Hawke) how to police gang-ridden neighborhoods in L.A. While the film tends to overly stereotype Latines, it also sheds light on how the region’s Mexican and Salvadoran communities have culturally impacted the areas with their style of street clothing.

Every minute adds to the exhilaration as the two main characters patrol the streets of L.A., building up tension to an explosive ending. Washington’s incredible performance in the film won him his second Oscar.

“Nightcrawler” (2014)

Crime is on the rise in L.A., and “Nightcrawler” (2014) shows us no different. Starring Jake Gyllenhaal as a neurotic man who becomes obsessed with crime scenes, the film takes us through nights in L.A. as Gyllenhaal’s character finds crimes that he may or may not have had something to do with.

“Nightcrawler” (2014) shows a side of L.A. that everyone knows but few talk about: a culture that views tragedy as a form of entertainment. The protagonist takes advantage of car accidents and homicides, morbidly capturing and capitalizing on these moments for money to make a living. As the film unravels, deception and desperation take over the character as this darker side of L.A. consumes him.

“Sunset Boulevard” (1950)

A true classic and one of the best-known depictions of Hollywood’s cruelty, the black-and-white L.A. of “Sunset Boulevard” (1950) mostly depicts the film studio system and the people working within it. Drawing comparisons between the past and present film industry fascinates seasoned film bros and casual viewers alike.

The transition from silent film to films with audible dialogue, or “talkies,” catapulted many of the film’s characters but left others behind, including Norma Desmond (Gloria Swanson). Norma is an aging silent film star who is desperate for a career revamp, so she hires a screenwriter, Joe Gillis (William Holden), to help her achieve stardom again.

What he doesn’t know is that Norma is manipulative and a control freak who will do despicable acts to get what she wants. Has Hollywood really changed after all these years?

“Boyz n the Hood” (1991)

John Singleton created a welcoming yet dangerous cinematic environment through “Boyz n the Hood” (1991), especially when it came to L.A.’s lower-income areas. In the neighborhood, everyone knows one another and has built a vibrant community, shown in the film’s portrayal of  block parties and teen hangouts. However, Singleton knew that this was not the whole story, and the film’s neighborhood has a tragically high crime rate, as drive-by shootings and theft are common.

The fictional story is tragic at times, painting a picture of the good, the bad and the ugly a huge metropolitan area like L.A. offers. Through Singleton’s script, viewers dive deeper into Black culture on the West Coast and understand the hardships that overpolicing has placed on communities like the one depicted. “Boyz n the Hood” (1991) is a great watch with a unique perspective on L.A. and a powerful message about defying the odds.

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