REVIEWS

‘One Night Only’ forgets it’s dystopian

The film fails to make any significant commentary on the fascist society it set up.

Go(go) to Gogobop for fresh bowls

The new Korean restaurant is a worthy competitor to USC Village food mainstays.

‘Girls Like Girls’ favors Y2K nostalgia, loves queer stories

A decade after the song’s release, this film adaptation encapsulates a coming-of-age LGBTQIA+ romance.
Emily Blunt stars in 'Disclosure Day'

‘Disclosure Day’ is a gripping, thrilling journey

Steven Spielberg’s newest science fiction film fits right in with his storied legacy.
Malcom Todd

Malcolm Todd’s ‘Do That Again’ is unapologetically apologetic

The singer's third album tells a story about old loves using his signature sound and honesty.

‘I Love Boosters’ proves there is such a thing as too much camp

Director Boots Riley dresses up his newest social satire under layers of humor.

Michele Lu’s ‘Dull Red’ encapsulates a timeline of heartbreak

The Thornton alum opens her heart in her debut EP.
Jafaar Jackson stars as Michael Jackson in 'Michael.'

‘Michael’ entertains, but isn’t a thriller

The long-awaited biopic is a fun, but shallow re-telling of music’s most iconic star.

‘Tomodachi Life’ sequel is a quirky dream

Nintendo’s latest release is a blast after over a decade since the original's release.

‘Beef’ Season 2 was mostly well-done

A jam-packed storyline sends a strong message of love, society and human nature.
Photo of musician John Summit

John Summit ‘ESCAPE’s into subgenres of house music

“CTRL ESCAPE” is an ode to the DJ’s journey from office dweller to festival headliner.
Marquee of the pantages

‘Spamalot’ makes audiences laugh-a-lot

The North American tour of the musical Monty Python’s “‘Spamalot”’ takes the stage at the Hollywood Pantages.