REVIEW: ‘Birds of Prey’ offers colorful, feminist, diverse superhero tale
Quinn’s character is interwoven with a need to express her chaotic personality through colors and sparkles.
Netflix successfully humanizes Taylor Swift
“Miss Americana” is a fresh reminder that people — even those with millions following them on Instagram or buying their albums — have private lives, problems and emotions.
It’s Cassie’s society and we’re all just living in it
The film is an ambitious undertaking, and she occasionally struggles with tonal consistency: Sometimes you’re not sure whether you’re watching a romantic comedy or a violent revenge story.
Sundance’s ‘Rebuilding Paradise’ may be Howard’s best film yet
“Rebuilding Paradise” feels immersive, multidimensional and real from the very first frame.
‘Summertime’ is a teen love letter to Los Angeles
The piece functions like a series of vignettes, each climaxing in a soliloquy from a young player involved.
‘Dolittle’ is a lousy, wretched waste of money
This movie is a mind-numbing, soul-crushing, spirit-breaking endeavor that will sap you of your will to live and squash your faith in humanity. Watching it is the equivalent of bashing your skull into a wall for an hour and 41 minutes — both will obliterate the same number of brain cells.
SAG 2020: A night of expected wins and upsets
For more than two decades, the Screen Actors Guild Awards have brought Hollywood’s most talented and glamorous performers to the Shrine Auditorium to celebrate the best performances in film and television. Last Sunday, the 26th SAG Awards followed suit and once again created a classy ceremony honoring the great work from this past year.
Screenings focus on representation of social discourse in nontheatrical film
This Wednesday, the School of Cinematic Art’s Cinema and Media Studies division screened several films as part of a larger conversation on race, identity and politics.
Streaming for your consideration
Sad that “Friends” has been taken off Netflix? Here are the new titles coming to your favorite streaming services.
REVIEW: Gerwig’s modern “Little Women” explores childhood nostalgia
FYI: It’s impossible to watch “Little Women” without getting at least a tad misty-eyed.