REVIEW: Rock & Reilly’s offers affordable Village dining
Rock & Reilly’s, USC Village’s new gastropub, is a sight for sore wallets in the complex’s lineup of pricy dining options.
REVIEW: Hasan Minhaj informs, intrigues in Netflix debut despite growing pains
Netflix debuted the show’s first two episodes, “Affirmative Action” and “Saudi Arabia,” on Sunday and the remaining episodes will air in subsequent weeks.
REVIEW: Josh Groban showcases stunning voice at The Forum
Josh Groban, a Los Angeles native, entranced the audience with his impeccable vocals and took them through a journey of love and hope.
REVIEW: Uninspired direction, stellar acting prevail in ‘Indivisible’
Based on the true story of Army Chaplain Darren Turner and his wife Heather Turner, “Indivisible” follows the Turners after Darren’s deployment to Iraq in 2007 and the fallout of his time abroad.
REVIEW: Denzel Curry casts a spell on The Novo on ‘TA13OO’ tour
Florida rapper Denzel Curry delivered an aggressive and dynamic show at The Novo Friday night — his brand of cloud trap featured impeccable flows and clever lyricism.
REVIEW: ‘Boy Erased’ explores fallacy of conversion therapy
In fact, a story about a young boy’s journey through conversion therapy, it’s rightfully and painfully somber.
REVIEW: ‘The City of Others’ crosses time, borders through dance
In addition to the high-energy techno beats inspired by Latin and hip-hop music, a portion of the choreography was set to Vallenato music, a popular genre of Colombian folk music where the plaintive, mournful crooning of one of the dancers was accompanied by djembes, a West African goblet drum, and maracas.
REVIEW: ‘Weed the People’ is a compelling call for drug reform
Documentaries have a two-fold function — to provide information and to keep their audiences engaged. Abby Epstein’s “Weed the People” fulfills both of these requirements.
REVIEW: Slow Hollows enchants at The Troubadour
Gearing up to release its third album, Slow Hollows played a variety of tunes from its discography.
REVIEW: “Mid90s” is a personal ode to 90s skate culture
Jonah Hill’s directorial debut is a subtle, powerful coming-of-age tale.