REVIEW: ‘The Dirt’ is Netflix’s latest disappointment
Nobody really asked for a Mötley Crüe biopic, but Netflix made one anyway.
All the World’s a Screen: Horror films are a paradox of attraction and repulsion
We pay them $13.50 a ticket to do their worst on us, and usually it is their worst.
REVIEW: Susto delivers intimate performance at Troubadour
Charleston-based indie rock band Susto headlined the Troubadour Friday night to promote its latest album “Ever Since I Lost My Mind.”
From The Soundboard: The album format still has so much to live for
And though everyone checks in to the Grammys each year to pretend they care about the Album of the Year winner, the album format has clearly taken a backseat to singles.
REVIEW: Jordan Peele solidifies horror prowess with sophomore feature ‘Us’
“Dull” is not a word in Jordan Peele’s lexicon.
REVIEW: GearFest celebrates black artists and creatives on campus
Hundreds of students descended onto McCarthy Quad Saturday for this year’s edition of GearFest.
Panel highlights children’s media creators
Wednesday’s panel included a children’s book author and Disney Channel show writers.
Bop or Flop: Zacari’s latest EP fails to leave an impression
If you turned on the radio at any point during the summer of 2017, you were guaranteed at least one play of Kendrick Lamar’s glossiest pop single to date.
Fem Fest to bring underrepresented artists, vendors to campus
The annual music festival will take place at E.F. Hutton and Founders Parks Sunday.
Eating L.A. Before It Eats Itself: Los Angeles lacks a signature dish despite its vibrant food scene
Some cities, over the course of several decades, have cemented a singular food into their identities.