Spring is blooming in Los Angeles, but along with blue skies and warm evenings comes a spell of violent guitars, raw percussion and sinister choruses.

Full of it · Though several of the band members met while attending school in Los Angeles, Liars has lived and recorded albums in New York and Berlin, each one reflecting the sonic diversity of the area. - Photo courtesy of Mute Records

Celebrating the release of its latest album Sisterworld, the now Los Angeles-based experimental rockers, Liars, are playing the El Rey Theatre this weekend, the first show on their North American tour.

“I enjoy touring because it allows us to catch up on current music and see new places,” guitarist Aaron Hemphill said, speaking from his home in Venice, Calif., just before band rehearsal. “When we’re recording and writing an album, we’re in our own little world.”

Recorded and mixed in Los Angeles — where Hemphill met bandmate Angus Andrew while attending the California Institute of the Arts — Sisterworld screeches with the echoes of unnerving, angry instruments, bringing to mind the compositions of Nick Cave and Tom Waits as well as the disparity and sprawl of the city itself.

But Sisterworld is not the first time a Liars record has echoed its place of conception.

The band’s critically acclaimed 2006 album Drum’s Not Dead was produced in Germany, while its considerably more polarizing witch folklore record, They Were Wrong, So We Drowned, was created in a remote cabin in woods of New Jersey.

While amusing in their diversity, Hemphill insisted that such locations are chosen, first and foremost, by how well they facilitate work.

“We didn’t just decide to make a witch record in the woods and look for a house,” Hemphill said of They Were Wrong, So We Drowned. “Angus wanted to move out of New York and our hope was not only that it would provide a change of scenery but also enable us to work a lot later. Once we fall upon the unifying theme for a record, very naturally our perception of our surroundings focuses on elements that support that.”

While the intensely layered sounds of Sisterworld suggest reliance on expensive effect rigs, Hemphill insisted that his approach to creating original textures was far more organic in nature.

“I really like to change the type of guitar I’m playing or the gauge of the string,” he said. “Hopefully that affects my approach to playing more than a pedal board. It’s more about, ‘What can I try to replicate?’ than, ‘Can I make my guitar sound like a violin?’”

This ethos carries over to concerts and the unpredictable reception of Liars material during the band’s intense live shows (the band is known for its elaborate vocal arrangements and improvisational playing style) is always a thrilling experience.

“We’ve had weird crowd reactions, but usually they’ve been creative gestures,” Hemphill said. “One time in Baltimore, we had a frozen turkey thrown at us on stage. The fact that someone smuggled a frozen bird into the venue during the height of winter, that’s pretty amazing.”

The band made a memorable daytime appearance at the 2009 Coachella Valley Music and Arts Festival and drew a sizeable crowd to the outdoor theater stage despite blistering temperatures. Still, the band’s return to more intimate venues like the El Rey is a spotlight of the upcoming tour.

“We generally prefer indoor [concerts] just because it sounds a bit better and we have more control over the mood,” Hemphill said.

“We’ve been told that we’re not really a daytime band.”

For Hemphill and his bandmates, life on the road offers not only the opportunity to be pelted with poultry but also a chance to see just how far their challenging-yet-unique music has reached.

“I like playing the middle of America a lot,” Hemphill said. “With the Internet these days, there’s not really solid ‘rock towns’ and ‘non-rock towns.’ Lots of surprises.”

While the band’s Internet presence has helped spread Liars’ music, Hemphill — like many other independent musicians — is still unsure about the variable effects of fans’ file sharing.

“It’s definitely not a black and white issue,” Hemphill, who once worked in a record store, said.

“If you’re going to download music for free, hopefully you’ll have the conscience of mind to support the band in other ways. The whole thing might get more people to our shows.”