New production reflects bold ambitions
Paul Wagar’s rendition of The Taming of the Shrew incorporates modern dress and minimalist set design to reinvent Shakespeare.
New play interweaves disparate talents
Come Fly Away mixes dazzling choreography with incomparable musical talent.
Production maintains character
Theatrical rendition of To Kill A Mockingbird stays true to novel but still features changes.
Play raises issues of contemporary racism
Velina Hasu Houston’s play, Bliss, focuses on many key relatable themes, such as family, cliques and mixed cultures.
Drama evokes emotion
Theresa Rebeck’s latest play, Poor Behavior, shocks audiences with its realism.
One-person play impresses audience
Claudia Stevens’ latest play, Pigeon, advocates for animal rights while also offering an enthralling display of histrionics.
Innovative production interprets evolution of cinema
Cirque du Soleil’s show, Iris, awes with thrilling acrobatics and engaging characters.
Comedy presents foibles
New production, South Street has a convoluted storyline, but is redeemed by other facets.
Cabaret spellbinds audiences with story
Marcia Milgrom Dodge’s rendition of Cabaret crafts a magnificent blueprint that enables the cast and ensemble to shine expertly.
Play disappoints with fundamental flaws
To Carry the Child, which opened last week at the Raven Playhouse in North Hollywood, fails to engender positive, lasting impressions.