Spectre, though enjoyable, relies on typical film tropes
The movie, directed by Sam Mendes, marks Daniel Craig’s fourth spin as Bond.
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Bryan Cranston shines as fallen screenwriter in Trumbo
The movie illustrates the frenzy during the 1950s McCarthyism sweep.
Delivery Man settles for cheap laughs
Comedian Vince Vaughn is likeable in his role, but the film lacks depth or substance.
Q&A on Pixar’s Monsters University
Monsters University creators speak with the Daily Trojan about the upcoming film.
42 struggles under weight of own message
Despite the powerful source material, Robinson’s biopic at times feels heavy handed.
Disconnect delivers honest portrayal of cyberbullying
The film successfully tackles cyberbullying, online child pornography and identity theft.
Starbuck surprises with heartfelt and humorous script
The French-Canadian comedy, which stars Patrick Huard, delivers a refreshing take on the popular man-child narrative.
The Call responds to classic themes of guilt, death
The Call instantly separates itself from the generic thriller with its fast-paced action.
Dead Man proves revenge is a dish best served cold
Spectacular performances by Noomi Rapace and Colin Farrell drive the deliciously dark revenge thriller Dead Man Down.
Stoker’s Lofty Ambitions Squandered By a Lackluster Script
Stoker begins by telling us exactly what it’s about and exactly what kind of film it’s going to be, both thematically and stylistically. “It’s only when we realize who we are do we become adults,” India Stoker (Mia Wasikowska) whispers over the opening credits sequence filled with curious close-ups, unsettling compositions, and jagged edits. Stoker […]