‘I Can See The Future’ is a subversive dissertation on grief
Leith Ross’s new album enchants as much as it devastates.
Kyle Gallner carries ‘Just Breathe’
The film from Shout! Studios is largely held together by Gallner’s performance.
‘The Jester 2’ is laughably unscary
The bar for this sequel was in hell, where The Jester needs to stay.
‘Da Vinci Code’ sequel has too much Da Vinci, not enough code
The sixth installment of the Robert Langdon series is satisfactory but not revolutionary.
King Princess’ new album ‘Girl Violence’ lacks resolution
The album is not so much violent as it is rough.
Mitch Rowland’s ‘Whistling Pie’ is underbaked
The sophomore album from Harry Styles’ frequent songwriting partner falls short.
‘ASTROPICAL’ brings Hollywood Bowl to its feet
Latin groups Bomba Estéreo and Rawayana brought their collaborative album to life Sunday night.
‘The Conjuring: Last Rites’ is an unfortunate sendoff
The final “Conjuring” film lacks rattling jump scares and a memorable villain.
‘The Thursday Murder Club’ brings charm and wit
Director Chris Columbus’s latest film breaks out of the streaming movie mold.
Palmer’s debut album ‘3 foot 5’ is a short, solid indie listen for fall
