REVIEW: ‘Buster Scruggs’ is another win for the Coen brothers
The new Coen brothers film is dark and highly entertaining.
REVIEW: Muse clings to ’80s nostalgia in ‘Simulation Theory’
The eighth studio album from the band features 11 distinct tracks. Some of Muse’s previous albums, such as “Drones” and “The 2nd Law,” could be considered concept albums, often centering around darker themes such as warfare and government oppression.
REVIEW: ‘Beale Street’ is a visually alluring victory
The film’s structure works well with the plot, but the story fails to flow.
‘Infinity War’ writers speak about creative process
SCA previewed the Q&A session with a screening of the summer blockbuster.
REVIEW: ‘Bohemian Rhapsody’ is as nuanced, flamboyant as Mercury himself
“Bohemian Rhapsody” is the story of Queen — but more importantly, the story of Mercury’s personal life and his struggles with relationships, sexuality and loneliness.
REVIEW: Uninspired direction, stellar acting prevail in ‘Indivisible’
Based on the true story of Army Chaplain Darren Turner and his wife Heather Turner, “Indivisible” follows the Turners after Darren’s deployment to Iraq in 2007 and the fallout of his time abroad.
REVIEW: ‘Boy Erased’ explores fallacy of conversion therapy
In fact, a story about a young boy’s journey through conversion therapy, it’s rightfully and painfully somber.
REVIEW: ‘Weed the People’ is a compelling call for drug reform
Documentaries have a two-fold function — to provide information and to keep their audiences engaged. Abby Epstein’s “Weed the People” fulfills both of these requirements.
Q&A: USC alumnus talks about co-writing horror film ‘Killer Kate’
“Killer Kate” explores the insecurities that come with changes in technology.
German studies program hosts film night
The German Studies program hosted a screening of “SMS für Dich.”