Five essential indie films coming in 2019
These five indie and arthouse films are worth checking out this coming year.
REVIEW: ‘Green Book’ tells self-aware, heartwarming tale of friendship
Led by a powerhouse duo, the film delivers pertinent message.
REVIEW: Casting mishaps, poor direction plague ‘Fantastic Beasts’ sequel
While the feature brings longtime Harry Potter fans back into the mystical universe, director David Yates leaves the audience jarred and disappointed with his cinematographic choices.
REVIEW: ‘Buster Scruggs’ is another win for the Coen brothers
The new Coen brothers film is dark and highly entertaining.
REVIEW: Muse clings to ’80s nostalgia in ‘Simulation Theory’
The eighth studio album from the band features 11 distinct tracks. Some of Muse’s previous albums, such as “Drones” and “The 2nd Law,” could be considered concept albums, often centering around darker themes such as warfare and government oppression.
REVIEW: ‘Beale Street’ is a visually alluring victory
The film’s structure works well with the plot, but the story fails to flow.
‘Infinity War’ writers speak about creative process
SCA previewed the Q&A session with a screening of the summer blockbuster.
REVIEW: ‘Bohemian Rhapsody’ is as nuanced, flamboyant as Mercury himself
“Bohemian Rhapsody” is the story of Queen — but more importantly, the story of Mercury’s personal life and his struggles with relationships, sexuality and loneliness.
REVIEW: Uninspired direction, stellar acting prevail in ‘Indivisible’
Based on the true story of Army Chaplain Darren Turner and his wife Heather Turner, “Indivisible” follows the Turners after Darren’s deployment to Iraq in 2007 and the fallout of his time abroad.
REVIEW: ‘Boy Erased’ explores fallacy of conversion therapy
In fact, a story about a young boy’s journey through conversion therapy, it’s rightfully and painfully somber.