Hustle and Fro: Hollywood, Black trauma isn’t your genre
As social thriller films and television shows become more popular, so does the use of Black pain in them.
Oscars recap: Moving in the right direction with minimal satisfaction
Every year, the Academy fails to represent the whole picture; while this year may spark hope there are still miles to go.
Creating a world with her hands
Yoo Lee wanted to give her daughter a piece of memory. So she turned to animation.
REVIEW: ‘Rutherford Falls’ suffers from growing pains
Peacock’s newest sitcom struggles to find its footing, but ultimately gives a much-needed voice to Indigenous creators.
REVIEW: ‘RuPaul’s Drag Race’ celebrates queer joy with excellently-cast Season 13
The first season produced amidst the pandemic, Season 13 served elevated drag, fierce competition and a particularly joyful tone.
Stardust: Disney dealing with manipulation
An examination of the signs and direct consequences of manipulation feigned as love in Disney’s movies.
REVIEW: ‘The Nevers’ deserves better than Joss Whedon
Despite the drama surrounding the release of HBO’s new show, “The Nevers” is a fun Victorian-era sci-fi show that everyone should be watching.
‘Masters of the Currents’ celebrates Micronesian communities
“Masters of the Currents: A Conversation with the Creators and Cast” brought together webinar attendees across the country and around the world April 7 to celebrate the first nationally touring play about Micronesians in the United States. The event, brought to Zoom by Visions and Voices and Asian Pacific American Student Assembly, foregrounded an often […]
Relax from studying for finals with this April streaming guide
From “Shadow and Bone” to “Napoleon Dynamite,” check out this month’s most engrossing shows and movies on streaming services.
REVIEW: ‘Madame Claude’ is evocative of the male gaze
The Netflix French biopic aims to criticize gender dynamics but doesn’t execute.