Film professor discusses images of faith in Hitchcock’s ‘Rebecca’
“The Little Stranger” is a demanding film. It expects viewers to play by the rules it sets, which mainly involve keeping them, as well as its characters, in the dark up until the very last frame. Where the average thriller would employ dramatic irony to place viewers one step ahead of the characters (think of […]
Unlike “Puppet Up!,” audiences didn’t turn a blind eye to the stripping of puppets’ innocence for “The Happytime Murders.”
Though “Searching” has not been marketed as a film about the Asian American experience, Chaganty’s careful curation of details, for instance messages that say “eomma” and “appa,” Korean translations of mom and dad, respectively, make the film representitve of Asian culture.
The summer movie season of 2018 was exciting despite its fluctuating lineup of films. Big blockbusters performed impressively at the box office, but there were also a few intriguing films not in the limelight that are worth revisiting.
USC alumni James Morosini and Sam Sonenshine address themes of love and relationships in “Threesomething.”
The documentary feature touches upon three outcasts as they go through the challenges of growing up.
The female-centered film delivers tired plot points and an imbalance of representation.
The new Netflix movie suffers from predictable character developments, but is worth watching due to its relevancy.
The inventive premise of the film brings a fresh take to the horror genre, a change that has been sorely needed in recent years.